One of the Blog to Differ blogs we read every day, information pillsBrand New, sickness has released its list of the best and worst brand re-designs for 2009. And apart from quoting Beg to Differ’s Dennis Van Staalduinen (which obviously makes them brilliant and insightful), it’s worth a look. But before you do, read on for a few highlights.
Stuff we’ve both covered
Pizza Hut becoming the Hut.Beg to Differ included a response from Jabba the Hutt, but otherwise, we were in total agreement in panning this identity.
SciFi becomes “SyFy”. Brand New lists this as one of the best of 2009. We Beg to Differ.
But apart from the SyFy choice, and the provocative choice of the truly awful Aol. brand as their #1 identity of 2009 (Brand New’s Armin can’t find anything negative to say about the designers at Wolff Olins apparently). For a review of this identity that is totally on the mark, see Fritinancy.
Where we agree
But because I love their blog and wish them well for the New Year, I’m going to focus on five identities that Brand New is totally right about. But don’t take my word for it, read Brand New for yourself.
Not so much a bad new mark as the death of an iconic old one by design legend Paul Rand.For a bazillion-dollar company, this identity makes Microsoft look positively bush-league.Totally lame place-branding for a City that needs to take its image problems more seriously.Unhealthy, over-processed, and commoditized - and that's just the logo. Icon becomes pastiche.It's hard to imagine why the term "Hilton Family" would be something you'd be embarassed of... but this design is just deplorable.
Part 2 on Vision Statements. In examining the many ways that our clients’ Vision statements have gone wrong in the past (and some spectacularly wrong), buyBeg to Differcan almost always sum up the biggest problem in one word: proximity. But don’t take our word for it; take it from an ancient tale of six men who tried to establish a common vision. And failed….
Six blind monks – from a Japanese watercolor illustrating the same story
It’s a long poem (whole text here), but to sum up the action: six blind men approach an elephant and come away with six different impressions. One thinks an elephant is like a tree, one like a rope, one like a snake, etc. And while each of their descriptions is sincerely argued, and accurately reflects their observations, the poet laments that “each was partly in the right / And all were in the wrong.”
Now imagine pulling those six blind men into a room and trying to write a Vision statement.
Describing the elephant: where vision statements go wrong
In the story, here are the mistakes the blind men made – and I’m going to suggest that we make the same ones ourselves.
1) They are all blind (and so are we): When it comes to our own businesses and products, each of us is blind to the big picture – the whole animal. This is equally true of me and my company (note to self: update corporate Web site soon), you and yours, and blind elephant-feelers everywhere: we are all victims of habit, corporate silos, and unconscious vested interests.
There’s nothing wrong with blindness of course. But bringing in a “sighted” outsider can certainly speed things up.
2) They didn’t share their “visions” to create “Vision”: Notice that each blind man worked in isolation before comparing notes with colleagues. Imagine if they all had been talking to each other during the research phase. “What do you mean rope? This seems more wall-ish. Seriously, come over here and check this out… etc.” Wouldn’t they be more successful – and fight less?
3) Lack of common reference points: Saxe says that the men “Rail on in utter ignorance / Of what each other mean.” Because of the blinkers mentioned above, we need to check, double check, then write down our common understandings of corporate jargon, nomonyms, and other key language.
4) They ignored the elephant. These blind men SAID they wanted to learn about the elephant, for each to “satisfy his mind”, but they seem more interested in having talking points for the argument to come. Shame none of them examined the elephant’s navel. But then they’d have to take their heads out of their own.
5) Who was the exercise for? Perhaps they would have had more luck if they had a clearer goal in mind of who the customer for this information would be. Then they could test their theories against the only metric that matters: how much does their work help someone else understand the elephant?
6) Description is not Vision: even if all the blind men had been able to articulate a more accurate idea of the elephant, they still couldn’t get the elephant to do anything. For that, they’d need to study behaviour, capabilities, knowledge of how other elephants are being used and trained. And finally they’d need to correct one last mistake…
7) Vision needs direction: The blind men lacked clear goals and an audience. But they also lacked a destination or at least a clear sense of the direction they should be heading – which is the “north star” that should guide any effective Vision exercise.
But then doesn’t that make this a Mission rather than a Vision? The next post in this series will take on that thorny issue. But in the meantime, we’re still looking for your help: vision stories; examples; thoughts?
Last week, viagra order I blogged on Beg to Differ about the birth of my son. Thank you all for your best wishes and brilliant thoughts on this incredibly moving experience for my wife and other two kids. But on the silly side of my brain, doctor the whole 3 days in the hospital, troche I had lines from the classic “Machine that goes Ping” sketch from Monty Python’s the Meaning of Life going through my head. And I was struck by how heavily branded the hospital environment is. So here are a few branding “pings” from the life and death world of the hospital.
The machine that goes Ping - The Miracle of Birth scene from Monty Python's The Meaning of Life
Something completely different
I think Branders need to be students of branding trends, and have a big streak of geekiness. And it’s always best to look at branding practices from an outsider’s perspective. So as a non-medical guy, all these brands were new to me. A few random comments are below.
There’s a surprisingly hard-sell retro throwback feel to a lot of these product names. And in the case of the “V-LOK CUFF” a design style that looks like it came out of the back of a comic book.
Interesting story: at one point, a nurse was putting an intravenous drip into my wife’s arm and asked me to grab what she called an “eye-hand” from the cupboard. I couldn’t find it until she held up a package and I realized she was talking about the “IV3000 1-HAND” above. In our case, the misunderstanding wasn’t serious, but I wonder if that little brand misunderstanding has ever led to more serious consequences. Branding matters!
In a “serious” environment like a hospital, I’d expect muted, understated brand practices – heavy descriptive names and generic product numbers. But I was surprised how many of the product brands seemed to be using edgy or aggressive naming conventions. Notice a small sample of all the “X’s I found in brand names.
I especially like the “Stryker” beds I saw everywhere. Doesn’t that sound like the name of a hero from a cheesey pulp fiction thriller?
In the delivery room, the doctors and medical staff were giddy with excitement to try the “Rollbord” (above) which some were trying for the first time. I noticed that they didn’t call it a “SAMARIT” or even a “Samarit Rollbord” – even though the names are presented graphically at the same size. “Rollbord” is the dominant brand because it’s more useful.
This confused me. In the age of H1N1, I was diligently keeping my hands washed, and when I couldn’t, I would Purell them (note the verb). But the distributor of the hand-pumps above obviously tried to standardize the look and feel of the labels, even though they are different brands (and add French for a Canadian audience). The result? I kept reaching for the Purell when I needed soap and vice versa. In this case, the manufacturer’s branding would have been more useful.
What do you think?
Beg to Differ wants to hear from you:
Any thoughts on these brands? What other branding trends do you see?
Any perspectives on other medical industry brands?
Do you like the branding field trip idea? Thoughts on other field trips we can take?
Has Disney finally figured out how to deal with the Muppets?
Yesterday, medicineBeg to Differ introduced you to the brilliant new Bohemian Rhapsody parody from the Muppets – but with no brand focused commentary at all. Since then, try we’ve realized that the big story here isn’t the video itself (or the others we’ve included below). The big branding story is the Muppet brand itself and its current caretaker: Disney.
Keeping your Beakers and Bunsens apart
When I showed the Bohemian Rhapsody video to my kids – aged 3 and almost 5 – they laughed and laughed and laughed, just as my wife and I had done. Of course, they totally missed the parody, but it was heartening to me that they seemed to love the characters and hooted along with that trademark goofy, over-the-top vaudeville campiness.
But when I asked my 3-year old what he’d liked about it, he said: “Those Wild Things were funny.”
Anaheim, we have a problem.
It’s not like we haven;t done our parental duty by exposing him to the Muppets. This is a kid who has an Animal doll, 50 Sesame Street books, and has sat and watched the Muppets on YouTube, as well as the season 1&2 DVDs with the family. But even he couldn’t identify the “Muppet” brand, and couldn’t recall any names except Kermit and Miss Piggy.
Turns out my son is the market in microcosm (I’m so proud). Kids don’t get the Muppets. And I blame Disney.
Disney’s problem with Muppets
Since acquiring the Muppet brand in 2004 Disney has been widely criticized by fans for under-utilizing the Muppets characters and failing to re-invigorate the brand for a younger generation. For an exhaustive insider background, see Jim Hill’s blog post from 2007.
But in brief, I think this verbiage from the February 2004 press release captures the problem in humourless, corporatese:
The transaction includes all Muppet assets, including the Kermit, Miss Piggy, Fozzie Bear, Gonzo and Animal characters, the Muppet film and television library, and all associated copyrights and trademarks…
Now read that again in your best Rizzo the Rat voice to hear how ugly, inhuman and unintentionally funny it becomes. These are cartoon puppet critters people!
Roadkill? Kermit wondering what the heck he’s doing in front of an SUV.
It’s not easy being green (but it’s worth a try).
And it went downhill from there. Disney efforts have included an aborted attempt to make Kermit more “edgy” for his 5oth birthday in 2005, and a tone-deaf attempt to exploit the lead characters as commercial shills. The Ford Explorer ad shown here is a great example.
Demographic fact: Muppets are loved by nostalgic 30-40 somethings. Frog-leap of logic: Hey! Kermit can sell SUVs!
But through it all, the big problems that were festering under the surface were 1) a failure to generate any significant new Muppets content (or that the new content was bad), 2) erosion of the brand equity of secondary characters, and 3) lack of respect for the real brand qualities that made the Muppets so charming and relevant, and sustain them to this day in the hearts of 4) the brand’s real owners: who are you, me, and hopefully, our kids.
The Muppets of the mind
So that’s why it was so nice to see yesterday’s Bohemian Rhapsody video get hundreds of thousands of hits and quickly become a trending topic on Twitter. It’s also nice to learn that more videos are coming (watch for “Dust in the Wind”, “American Woman”, “Popcorn”, “Carol of the Bells” and “Stand By Me”) and that a new Muppet movie is in the works – among other interesting projects.
But most heartening of all, there’s the tone of the new content – which finally shows signs that Disney actually gets the Muppets. The new stuff is funny, and the characters seem like themselves again. And that’s why I felt like I had to share that video immediately.
To us, the real owners of the brand, the Muppets are about creating a warm space where comedy, pop-culture, kid-culture, and pure unadulterated silliness can come together. The real Muppets in our heads never take themselves too seriously (see the “assets” quote above), and they are also never mean-spirited or even “edgy” (they’re refreshingly nerdy actually – kind of like Queen music).
Oh, and take note: the Muppets in our heads would never sell an SUV, so they won’t help us buy one either.
Welcome back Muppets
But lest we be accused of getting too serious ourselves (we beg to differ!), below are a few more recent YouTube videos featuring some great second-string Muppets.
Part 3 of our series on our favourite posts of 2009″
October and November held a few more pleasant surprises for us here at Beg to Differ – from our Chicken Sandwich series to our first Slideshare cross-over hit, cure to a Seussian Twitter phenomena, viagra we continue to be surprised by the enthuisiastic response of our readers – but almosrt never in ways we expect.
The branding business: we haven’t have a lot of posts about this topic area… yet. But we felt we needed to respond to a viral video which lampooned clients for not “getting” the value of the work creative agencies do. After all, it takes two to tango – or quibble over a giant invoice.
Brand naming: When KFC launched a new chicken sandwich with a name developed by Brandvelope, we took the opportunity to toot our own horn a bit and talk about the process of naming a brand. And the results: our biggest single day tally of visitors as branders came by for a taste of what we do.
“Whole brand” thinking: This short post on the failure of a giant corporation to understand effective customer engagement in the social media era marked the first time a SlideShare deck of ours reached 2000 hits – and climbing (in response to a tip from Alison Gresik).
Social media: Funny to talk about this one as a greatest hit – because we wrote it in the middle of the current “faves” series – and it’s really still going with more than 100 RTs to date. Basically, we wondered a) what @SamEyeEm would be like on Twitter, and b) what Dr. Seuss might think about the new “ReTweet” feature on Twitter.